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Italian jewelry is worldwide known as a high quality and high developed part of italian industry. All over the world its jewelry is known of very fashion designers, artists and creativ craftsman.

Since the roman empire and before the etruscan artesans made Italian jewelry more and more important all over the world. The most important centers of italian jewellers and jewelry industry are Vicenza, Valenza Po and Arezzo.

More interesting sites for special and typical italian jewelry Sardegna (gold and silver jewelry) and Torre del Greco (Coral and shell working).

 

classical flowers - jewels and the new must of flowers

 

First were leaves arriving in the jewellry ART NOUVEAU, then the complete flowers. Very three dimensional and irregular, the rose as jewel was the a hard proof for the jewel creators and designers. As the first steps of realisation they tried to cut it out of stone or in glass like Lalique did in a broche-bouquet.

With the development of new technologies, appeared some leaves in gold and sometimes sticked with precious stones. In the last decades the rose was a must resistant also of the ribel winds of the sixties and seventies.

The interpretations are various:

There are the "bouton de rose" of Oliver Weber and the needled rose of dior, the last invention of Victoire de Castellane. Different the interpretation of  Mimi in the almost classic collection Grace.

 

Last Updated (Monday, 13 September 2010 21:10)

 

"Club degli Orafi Italia" and "SDA Bocconi" together for the 5th Jewellery Forum

"Club degli Orafi Italia" and "SDA Bocconi" together for the 5th Jewellery Forum


At the event - which is organized every second year by the "Club degli Orafi" in cooperation with the "SDA Bocconi" - participated various exponents from the political world, from Associations, entrepreneurs and representatives from the jewellery sector.

The debate has confirmed that the international jewellery market is in the middle of deep changes characterized by the entrance of new competitors and the creation of new distribution formulas dictated by the globalisation of the markets. In this scenery the Italian Jewellery is trying to get out of the recent years stagnation.

The report from the Italian jewellery sector - signed by the "Club degli Orafi Italia" and the "Servizio Studi of Intesa Sanpaolo Bank" - showed for the first semester 2007 that "Made in Italy" jewellery has recorded an export growth by 6,9%. A sharp look at the analysis reveals a good penetration in the United Arab Emirate markets (44,7%) , the Swiss market (23,4%), the Hong Kong market (28,1%) and above all the Russian market (94,1%) which is becoming one of the most important commercial destinations. Even the German market after years of downturn, is positive (36,9%), but the American market is in decrease (-20,7%) and this loss does not compensate the positive results gained elsewhere. The strong euro compared to the dollar and high prices of raw material are continuing to penalize the Italian companies which account in the first semester 2007 for a slowdown of turnover of 0,1% compared to 2006.

"Italian jewellery companies, even if with some difficulties, manage to grow despite the international competition, thanks to product quality, design and being able to gain trust from consumers and trade alike. The trend of a sector and its ability to withstand competition are strongly influenced by the sentiment of trust - acknowledged Françoise Izaute, President of "Club degli Orafi Italia"- The considerations that determine the choice of a store and of the product by a customer are not only concerned by a matter of convenience: other variables come at play, less rational ones, among others trust. The Italian jewel, thanks to its history, represents - from its start and today more than ever - a model of trust: it's a set of values comprising tradition, research, craftsmen's quality, authenticity, innovation and originality of design; all this makes a difference with the products of competitors from other countries. And the consumer is more and more aware of this."

About trust at the consumer side, at the round table in the afternoon, a discussion was held through the analysis of success stories by: Tawid Abdullah, CEO of Damas, Gérald Berclaz, member of the Board of Mayors Inc. Birks USA, Giovanni Burani, Managing Director Mariella Burani Fashion Group, James Courage, CEO Platinum Guild International, Matteo Marzotto, President Valentino Spa and Licia Mattioli, Managing Director Antica Ditta Marchisio.

At the centre of the debate also the relation between industry and distribution, analysed in the book "Miti da sfatare nel gioiello. Le relazioni tra industria e distribuzione in Italia e nel mondo" ("Jewel Myths to discredit. Relations between industry and distribution in Italy and in the world") (Egea, 2007), introduced during this event and written by Luana Carcano, Antonio Catalani and Paola Varacca Capello of SDA Bocconi, in cooperation with Club degli Orafi Italia.

"The jewellery sector, that claims an historically solid strength, is today in need of support from the institutions and of a positive trusting mood - said Guido Corbetta, vice chancellor of Bocconi University - The relation between industry and distribution represents the cornerstone of the manufacturing and distribution chain and it is therefore necessary to develop new competitive strategies for vertical integration throughout this chain. In the 5th Jewellery Forum these issues have all been thoroughly investigated, focussing on a positive contribution for the Italian Jewellery world, giving support through adequate tools as to face all changes taking place in the present-time."

The Vice-Chancellor Guido Corbetta of Bocconi University and the President of Club degli Orafi Italia Françoise Izaute have delivered the final address.

The 5th Jewellery Forum was held with the cooperation of Vicenza Fair and the patronage of ICE, with the help of Un Diamante è per sempre and Securpol, and with the technical support of Ferrari Spumante, Acqua Surgiva, noname idea.

Last Updated (Thursday, 22 April 2010 21:03)

 

Articles

  • tamara WAX CARVER
    Written by tamara

     


    Web page: http://tamaragervasio.sitiwebs.com/

     

    Tamara Gervasio was born and trained in Italy, five years as a sculptor at the Institute of Art and two years specialising in jewellery and as a wax carver in Rome.

    Now based in England since 1998, she creates her own exclusive collections as well as working with clients to create their own unique pieces of jewellery.

    Since her arrival she has been working as a freelance wax carver for several designers and from 1999 until December 2002 she was a House Designer for RPM (Refined Precious Metals Ltd) and the owner of M!A Gallery where she was working as a Gallery Manager and House Designer. Then she decided to become independent and creates her own jewellery collections. She also has been working with the designer of Paul Smith and the designer of Vivienne Westwood.

    From September 2003 she became the proprietor of Mia Gallery, working as a wax carver, with one-off commission work and teaching the technique of wax carving. She collaborates also with other designers to bring their own work into the MIA Gallery.

    In July 2004 she decide to go back in Italy to expand her collection over there. Still working with her clients from London and try to find new way to became an international jeweller and wax carver. Bought a shop in Rome will be soon open bring in a strange apparel.

    Her work is based upon the principles of repeated regular and irregular patterns, which include several contrasting shapes, from natural organic shapes such as wood grain to the undulating surface of water.

    Her speciality is wax carving influenced by her early study in modelling clay. All her pieces are hand carved out of a block of wax using specialised craft instruments allowing for exacting detail.

    Her fluid and sensuous jewellery is made from silver, 18 ct yellow and white gold combined with diamonds and precious and semi-precious stones.

    She has developed a variety of collections such as  “the Sea Collection”, “the Organic Collection”, and “the Abyss Collection” all concerned with different aspects of nature.

    Tamara’s work is constantly evolving, adding to her collection new elements of design, which give it a wider appeal, breaking away from Italian traditional classical jewellery into a more cosmopolitan innovative translation of contemporary Jewellery.

    Her work has appeared on Italian television and specialised trade fairs and exhibitions.

    In England her work was exhibited at the Goldsmith’s Craft and Design Council (1998 and 2002), at the M!A Gallery in Hatton Wall, Coffee, Cake and Kink in Covent Garden, The Hays Gallery in London Bridge and she has appeared in trade magazines, such as J-dex magazine and Portfolio book.

    In Japan she appeared in an art magazine and in Florida in a jewellery gallery.

     

     Tamara Gervasio

     Mobile +39 338-1896927 

    This e-mail address is being protected from spambots. You need JavaScript enabled to view it

     

    Written on Friday, 21 January 2011 21:59 in La mia pagina Be the first to comment! Read 4707 times
  • tamara WAX CARVER
    Written by tamara
    WAX CARVER


    Web page: http://tamaragervasio.sitiwebs.com/

     

    Tamara Gervasio was born and trained in Italy, five years as a sculptor at the Institute of Art and two years specialising in jewellery and as a wax carver in Rome.

    Now based in England since 1998, she creates her own exclusive collections as well as working with clients to create their own unique pieces of jewellery.

    Since her arrival she has been working as a freelance wax carver for several designers and from 1999 until December 2002 she was a House Designer for RPM (Refined Precious Metals Ltd) and the owner of M!A Gallery where she was working as a Gallery Manager and House Designer. Then she decided to become independent and creates her own jewellery collections. She also has been working with the designer of Paul Smith and the designer of Vivienne Westwood.

    From September 2003 she became the proprietor of Mia Gallery, working as a wax carver, with one-off commission work and teaching the technique of wax carving. She collaborates also with other designers to bring their own work into the MIA Gallery.

    In July 2004 she decide to go back in Italy to expand her collection over there. Still working with her clients from London and try to find new way to became an international jeweller and wax carver. Bought a shop in Rome will be soon open bring in a strange apparel.

    Her work is based upon the principles of repeated regular and irregular patterns, which include several contrasting shapes, from natural organic shapes such as wood grain to the undulating surface of water.

    Her speciality is wax carving influenced by her early study in modelling clay. All her pieces are hand carved out of a block of wax using specialised craft instruments allowing for exacting detail.

    Her fluid and sensuous jewellery is made from silver, 18 ct yellow and white gold combined with diamonds and precious and semi-precious stones.

    She has developed a variety of collections such as  “the Sea Collection”, “the Organic Collection”, and “the Abyss Collection” all concerned with different aspects of nature.

    Tamara’s work is constantly evolving, adding to her collection new elements of design, which give it a wider appeal, breaking away from Italian traditional classical jewellery into a more cosmopolitan innovative translation of contemporary Jewellery.

    Her work has appeared on Italian television and specialised trade fairs and exhibitions.

    In England her work was exhibited at the Goldsmith’s Craft and Design Council (1998 and 2002), at the M!A Gallery in Hatton Wall, Coffee, Cake and Kink in Covent Garden, The Hays Gallery in London Bridge and she has appeared in trade magazines, such as J-dex magazine and Portfolio book.

    In Japan she appeared in an art magazine and in Florida in a jewellery gallery.

     

     Tamara Gervasio

     Mobile +39 338-1896927

    This e-mail address is being protected from spambots. You need JavaScript enabled to view it

    Written on Friday, 21 January 2011 21:51 in La mia pagina Be the first to comment! Read 0 times
  • italianjewelryonline.com Stefania Cocciaglia
    EDUCATION

    1996 
    To give the Artistic Maturity , in the Art of metals and the goldsmiths, near the I.S.A. Nicholas Guardagrele of Chieti
    1997 
    Diploma to the UED European University of he Design, in artistic technical design, and computerized planning.
    1998 
    Attend a course F.S.E. of specialization post-diploma of "microincisore-moedllatore of waxes" promoted from the I.S.A. "Appolloni" of Fano, 
    1999 
    participates to professional course FSE for "orafo-incassatore" of the IRIGEM of Vicenza.

    PROFESSIONAL PROFILE

    After having achieve an Apply Certificate in jeweller’s Art , she is giving space to her own cultural refresher course, takingpart to specialized couses and seminars, where she is understanding new awesomeness and trend in formation.
    She is definitely steers towards the jewel , she devotes herself with passion to “ Design” and withoit having any family tradition, she becomes object of deepen and autonomous serach.
    Written on Thursday, 14 October 2010 20:45 in Italian jewelry designer
    Tags: designer
    Be the first to comment! Read 4993 times Read more...
  • italianjewelryonline.com Andrea Cirelli
    EDUCATION
    He receved his diploma atthe "Benvenito Cellini " Gold and Jewellery Institute  in Valenza.

    PROFESSIONAL PROFILE
    He has been working in the different factory in Valenza as a desinger   and model maker for the jewelry production.Since 1983  he also works on a free-lance basis with some of the most established firms in Valenza , Vicenza  and abroad.Since 1991, full member of ADOR , he was also member of the ADOR Board, partecipating in many initiatives .As a tutor, he runs courses both privately and for other schools and associations on goldsmith design, wax and metals modelling, also for electroforming prototypes.He make special design researche, to make satisfaction in different tipe of production for  gold and jewelry marcket .Since 1991 is ADOR's Member, and he partecipated in several events :

    EXHIBITIONS
    Written on Thursday, 14 October 2010 20:32 in Italian jewelry designer
    Tags: designer
    Be the first to comment! Read 6057 times Read more...
  • italianjewelryonline.com Lorenza Cingerla
    EDUCATION.
    Pubblic School of Art

    PROFESSIONAL PROFILE
    Since her youth she attended the “Craft shop” of her uncle Patrick, where she discovered the pleasure and beauty of designing and projecting with gold, with all those colourful precious stones, and with the glass enamel.
    Started as a game, it soon became a hobby, and satisfaction of making and learning more of this golden world rises, under the careful guidance of the goldsmith uncle.
    Improving the technical knowledge, improves also her ability of self-developing projects for new, young and funny jewels.
    She’s an ADOR associated since 2005

    EXHIBITIONS
    - ADOR’s exposition in Milano “MACEF spring, “Gioielli, Un Cuore X Minni"
    - ADOR’s exposition in Valenza Al. “Valenza Gioielli”, „Gioielli Un Cuore X Minni"
    COMPETITIONS
    Written on Thursday, 14 October 2010 20:26 in Italian jewelry designer
    Tags: designer
    Be the first to comment! Read 4814 times Read more...
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